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    <loc>https://www.meghanlindsay.com/homepage</loc>
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    <lastmod>2025-11-19</lastmod>
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      <image:title>HOME - Lucio Silla sets new standards for excellence</image:title>
      <image:caption>Appearing as Giunia, soprano Meghan Lindsay voices a strong, resolute heroine depicted in vivid primary colours. Gifted with numerous arias, her clear, translucent top speaks of unbending purity and goodness.</image:caption>
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      <image:title>HOME - Ulysses is Moving and Memorable</image:title>
      <image:caption>Meghan Lindsay played the large role of the goddess Minerva to great effect.</image:caption>
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      <image:title>HOME - A “high power” Paride</image:title>
      <image:caption>From “O del mio dolce ardor” (O my gentle love) to the dramatic “Di te scordarmi, e vivere", Lindsay sang the suitor’s role with high power...this is a lofty part, and Lindsay delivered it all with confident clarity and presence</image:caption>
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      <image:title>HOME - A success with Giunia</image:title>
      <image:caption>Meghan Lindsay, in the role of Giunia, the tragic heroine, demonstrated herself to be a consummate performer in the role. She injected a dark, somber quality to her voice that I have not heard from her before.</image:caption>
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      <image:title>HOME - A Return to Donna Anna</image:title>
      <image:caption>Meghan Lindsay sang Donna Anna in 2011 and does so again...the passage of time has only increased the breadth and especially the power of her soprano. These qualities only make Lindsay’s portrayal of Anna has become stronger and turns her many arias of mourning into expressions of the only unfeigned emotions in the entire opera.</image:caption>
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      <image:title>HOME - Actéon and Pygmalion in Versailles</image:title>
      <image:caption>Meghan Lindsay impressed as Aréthuze in Actéon and Galatée in Pigmalion…She was a perfect Galatée, embodying the dream of the newborn, innocent – yet sexy – woman, created by the artist to suit his desires.</image:caption>
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      <image:title>HOME - Don Giovanni delights</image:title>
      <image:caption>Meghan Lindsay’s Donna Anna also impressed me enormously, offering a stunningly attractive stage presence married to the kind of crisp, clear sound that gives the role its true place in the score.</image:caption>
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      <image:title>HOME - Huffington Post</image:title>
      <image:caption>One moment, I was in Spain, strolling the Passeig de Gracia, eating tapas and sipping red wine. The next, I was singing for Justin Bieber.</image:caption>
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      <image:title>HOME - Rave reviews at Glimmerglass</image:title>
      <image:caption>Lindsay’s roles delighted the crowd with her sweet and sinuously expressive vocal delivery, made all the more meaningful through the enhanced movement of her hands — which generally resembled those of a ballerina.</image:caption>
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      <image:title>HOME - Rave Reviews for Boston debut</image:title>
      <image:caption>It was clear that the Huntington Avenue Theater was hosting a pair of stars.</image:caption>
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      <image:title>HOME - Mooney on Theatre reviews Alcina</image:title>
      <image:caption>Ms. Lindsay managed to inject enough bite into her timbre and enough menace to her demeanor that she was convincing in the role of the evil sorcerer.</image:caption>
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      <image:title>HOME - Sussès à Versailles- Médée (Charpentier)</image:title>
      <image:caption>Meghan Lindsay est une Nérine à la prononciation parfaite et à la voix chantante et aérienne- Olyrix</image:caption>
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      <image:title>HOME - Dido is Remarkable</image:title>
      <image:caption>Soprano Meghan Lindsay is Belinda, sister to Dido, confidante and critic. Vocally silvery and gleaming, the gifted early opera specialist lights up this shimmering Dido and Aeneas, her character a key player in building and rebuilding musical momentum scene after scene. Forever in command, Lindsay clearly glories in her role.</image:caption>
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      <image:title>HOME - Meghan in Now Magazine's Top 10 Artists to Watch</image:title>
      <image:caption>With her ravishing voice and dramatic skills, the soprano will win over her audience both male and female.</image:caption>
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      <image:title>HOME - Schmopera Reviews Dido</image:title>
      <image:caption>As Belinda, Dido's faithful handmaiden, soprano Meghan Lindsay brings her characteristic twinkly voice to the spritely melisma Purcell set out of her. She was so appealing in this role. There was a youthful vitality in her demeanour and voice that made Belinda one of the most lovable characters on the stage.</image:caption>
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      <image:title>HOME - Opera New Reviews Dido</image:title>
      <image:caption>Soprano Meghan Lindsay provided elegantly phrased support as Dido’s sister Belinda</image:caption>
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      <image:title>HOME - Schmopera reviews Alcina</image:title>
      <image:caption>Alcina is her role through and through. The comfort in her middle range coupled with crystal-clear diction added an incredible depth of colour when she went into the top end of her vocal line. Her aria at the top of Act II was breathtaking.</image:caption>
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      <image:title>HOME - Ulysses is Theatrical Fireworks</image:title>
      <image:caption>As Minerva, soprano Meghan Lindsay gifts The Return of Ulysses with some of its most resounding moments of declamation, her pale, spectral presence chillingly haunting; her voice, a divine luminescent force.</image:caption>
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      <image:title>HOME - Arts and Culture Texas reviews Ars Lyrica</image:title>
      <image:caption>The bulk of the concert was devoted to two secular wedding cantatas by J.S. Bach, which were given scintillating readings by soprano Meghan Lindsay</image:caption>
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      <image:title>HOME - Actéon and Pygmalion a triumph in Toronto</image:title>
      <image:caption>The acting (Lindsay) brings to the statue’s coming to life is beyond what one often encounters in the best productions of Shakespeare’s The Winter’s Tale where the statue of Hermione also comes to life.</image:caption>
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      <image:title>HOME - Musical Toronto says Alcina is a hit</image:title>
      <image:caption>Lindsay’s Alcina commanded great feminine power over her island dominion. This was until hubris touched her, and the once conceited ego panics at the thought of her purview crumbling around her.</image:caption>
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      <image:title>HOME - A Dazzling Revival of a Mozart Rarity</image:title>
      <image:caption>As Giunia, Meghan Lindsay also shines with greater vocal strength and control than ever before and dazzles with her coloratura passages.</image:caption>
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      <image:title>HOME - Meghan as Ilia a success</image:title>
      <image:caption>[Lindsay’s] technique and control of dynamics are impeccable making each one of her arias from “Padre, germani, addio” to “Zeffiretti lusinghieri” shine like a jewel.</image:caption>
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      <image:title>HOME - A Fierce Minerva</image:title>
      <image:caption>Meghan Lindsay’s bright metallic soprano is fierce power personified in the role of Minerva</image:caption>
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      <image:title>HOME - Toronto Star profiles Ottawa singers</image:title>
      <image:caption>In Opera Atelier’s Alcina, Meghan Lindsay plays a “man-eater,” Wallis Giunta plays a woman disguised as a man and Mireille Asselin plays a fairy who falls in love with him/her. It’s a good thing the three women are such good friends.</image:caption>
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      <image:title>HOME - The Houston Critic on Ars Lyrica</image:title>
      <image:caption>Soprano Meghan is a survivor, and completed two entire Bach cantatas in one program, which included nine arias, nine recitatives and one gavotte. I got tired just counting! Amazing stamina while performing dramatically or with lilting tones.</image:caption>
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      <image:title>HOME - Toronto Star reviews Don Giovanni</image:title>
      <image:caption>The three sopranos — Meghan Lindsay as Donna Anna, Carla Huhtanen as Donna Elvira and Mireille Asselin as Zerlina — equal the best Mozart interpreters anywhere in the world.</image:caption>
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      <image:title>HOME - A Delightful Don Giovanni</image:title>
      <image:caption>Soprano Meghan Lindsay (Donna Anna) displayed her strong, clear, bright sound that always attracts the ear, and radiates passion and drama.</image:caption>
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      <image:title>HOME - Boston Globe- a “starmaking” debut</image:title>
      <image:caption>(Lindsay) erupted into full flower during the climactic scene of the first half, a starmaking paean to Elena and Amore (Cupid)</image:caption>
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      <image:title>HOME - Barcza Blog interviews Meghan</image:title>
      <image:caption>Leslie Barcza profiles Meghan with 10 Questions about her life, singing, and roles with Opera Atelier</image:caption>
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      <image:title>HOME - Schmopera on Idomeneo</image:title>
      <image:caption>What makes it a worthy night out: Meghan Lindsay’s stunning Ilia…Meghan Lindsay sounded her best yet as Ilia, sending gathered, rich sounds out into the hall</image:caption>
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      <image:title>HOME - Opera Canada reviews Idomeneo</image:title>
      <image:caption>Lindsay delivered a roller coaster of lustrous phrasing and expression throughout her emotionally torn performance, especially in her Act II emotional nadir “Se il padre perdei”, and also in the equally affecting and nuanced cantabile masterpiece “Zeffiretti, lusinghieri” in Act III."</image:caption>
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      <image:title>HOME - Opera Going Toronto loves Alcina</image:title>
      <image:caption>In Alcina’s title role, soprano Meghan Lindsay summons a sorceress of enormous complexity. Graced with a bright, limpid instrument, luscious timbre and superb technique, Lindsay reaches deep into her character to craft a performance bursting with paradox.</image:caption>
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      <image:title>HOME - Bachtrack on Ulysses</image:title>
      <image:caption>Meghan Lindsey was an impressive presence as Minerva. Somehow, however much in the background, she caught the eye whenever she was on stage and sang with considerable authority when required.</image:caption>
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      <image:title>HOME - Globe and Mail: A Production in Perfect Balance</image:title>
      <image:caption>Meghan Lindsay was powerful and effective as Giunia, the object of both Silla’s lust and Cecilio’s love.</image:caption>
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      <image:title>HOME - Charmantes miniatures françaises</image:title>
      <image:caption>Meghan Lindsay apporte beaucoup de noblesse à la courte intervention d’Aréthuze (Ah qu’on évite de langueurs).</image:caption>
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      <image:title>HOME - Opera Atelier Triumphs with Alcina</image:title>
      <image:caption>The cast was made up of OA veterans – all so vocally talented that it’s hard to know where to begin singing their praises. With the strong, edgy performance of soprano Meghan Lindsay as the sorceress Alcina?</image:caption>
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      <image:title>HOME - A Standout Star at Glimmerglass</image:title>
      <image:caption>Next to Dye, Canadian soprano Meghan Lindsay is the production's standout singer in the dual role of Sidonie and the Water Nymph. Athough minor characters in this opera, Lindsay's roles delighted the crowd with her sweet and sinuously expressive vocal delivery, made all the more meaningful through the enhanced movement of her hands — which generally resembled those of a ballerina. The fact that she is a Glimmerglass Young Artists speaks volumes about the depth of this program.</image:caption>
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      <image:title>HOME - Alcina is a realization of sublime beauty</image:title>
      <image:caption>Soprano Meghan Lindsay's portrayal of the title role had the richness needed to elevate the figure of 'Alcina' to the status given to the most tragic characters in the operatic repertoire.</image:caption>
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      <image:title>HOME - A “High Power” Paride</image:title>
      <image:caption>From “O del mio dolce ardor” (O my gentle love) to the dramatic “Di te scordarmi, e vivere", Lindsay sang the suitor’s role with high power...this is a lofty part, and Lindsay delivered it all with confident clarity and presence</image:caption>
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      <image:title>HOME - Boston Globe- A “Starmaking” Debut</image:title>
      <image:caption>(Lindsay) erupted into full flower during the climactic scene of the first half, a starmaking paean to Elena and Amore (Cupid)</image:caption>
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      <image:title>HOME - Meghan as Ilia a Success</image:title>
      <image:caption>[Lindsay’s] technique and control of dynamics are impeccable making each one of her arias from “Padre, germani, addio” to “Zeffiretti lusinghieri” shine like a jewel.</image:caption>
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      <image:title>HOME - A Delightful Don Giovanni</image:title>
      <image:caption>Soprano Meghan Lindsay (Donna Anna) displayed her strong, clear, bright sound that always attracts the ear, and radiates passion and drama.</image:caption>
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      <image:title>HOME - DEBUSSY WITH TAFELMUSIK</image:title>
      <image:caption>Conductor Fallis found all the passion and nuance that the music presents, while soprano Meghan Lindsay as Mélisande and bass-baritone Douglas Williams as Prince Golaud gave rapturous performances.</image:caption>
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      <image:title>HOME - BACHTRACK REVIEWS HANDEL’S RESURREZIONE</image:title>
      <image:caption>Pride of place perhaps goes to Meghan Lindsay as Mary Magdalene. She is singing beautifully these days and last night was no exception. Her full, resonant soprano filled the hall. Her acting too was exceptionally moving.</image:caption>
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      <image:title>HOME - A POIGNANT MARY MAGDALENE</image:title>
      <image:caption>Soprano Meghan Lindsay brings great compassion to the assignment, her voice shimmering and luminous, her encapsulation of anguish and desperation striking straight to the heart.</image:caption>
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      <image:title>HOME - MEGHAN FEATURED IN GLOBE AND MAIL</image:title>
      <image:caption>Meghan discusses the opera industry, shifting roles, and unrealistic expectations</image:caption>
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      <image:title>HOME - Rave Reviews for Boston Debut</image:title>
      <image:caption>It was clear that the Huntington Avenue Theater was hosting a pair of stars.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a2e473380bd5ef55331c13d/1582841383165-M4QXRPSBHXU8DCBPMI0P/15_Opera-Atelier_Idomeneo-2019_Soprano-Measha-Brueggergosman-mezzo-soprano-Wallis-Giunta-soprano-Meghan-Lindsay-and-tenor-Colin-Ainsworth_PHOTO-BY-BRUCE-ZINGER-min%2B%25281%2529.jpg</image:loc>
      <image:title>HOME - Schmopera on Idomeneo</image:title>
      <image:caption>What makes it a worthy night out: Meghan Lindsay’s stunning Ilia…Meghan Lindsay sounded her best yet as Ilia, sending gathered, rich sounds out into the hall</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5a2e473380bd5ef55331c13d/0502f8c9-acb1-4ea3-9310-1c562a891531/20241023_076316-copy.jpeg</image:loc>
      <image:title>HOME - BROADWAY WORLD REVIEWS ACIS AND GALATEA</image:title>
      <image:caption>In addition to the bright easy suppleness she’s always had, her tone has acquired additional warmth and sweetness. She is enchanting in the role of a naive but powerful sea nymph enamoured with a mortal.</image:caption>
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      <image:title>HOME - ExPRESSIVE PORTRAYAL OF MARY MAGDALENE</image:title>
      <image:caption>Soprano Megan Lindsay and mezzo-soprano Allyson McHardy had the the toughest roles and had to sing the emotionally-draining lamentations….It was that type of emotional level that the two singers had to express and they did. Lindsay has a superb, expressive voice.</image:caption>
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      <image:title>HOME - PRAISE FOR GALATEA</image:title>
      <image:caption>Singing Galatea, soprano Meghan Lindsay, a pivotal mainstay in Pynkoski’s resident repertory company, deeply impresses, gifting the evening with a strong, giving heroine, her lower register tinted with warm mezzo-like colours, her top as ringing and bell-like as ever.</image:caption>
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      <image:title>HOME - RAVE REVIEWS AS DIDO</image:title>
      <image:caption>Appearing as Dido, soprano Meghan Lindsay is as radiant as she is disconsolate, her silvery moonlit tone shining with apprehension, frightened as much by the intensity of her love for Aeneas as the machinations of the gods. .</image:caption>
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      <image:title>HOME - Opera Canada Reviews Idomeneo</image:title>
      <image:caption>Lindsay delivered a roller coaster of lustrous phrasing and expression throughout her emotionally torn performance, especially in her Act II emotional nadir “Se il padre perdei”, and also in the equally affecting and nuanced cantabile masterpiece “Zeffiretti, lusinghieri” in Act III."</image:caption>
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      <image:title>HOME - A VOICE OF BEAUTY AND EXPRESSIVITY</image:title>
      <image:caption>Lindsay’s soprano gains in beauty and expressivity with every successive production. Her sound has both brightness and depth. She held the audience completely spellbound with Galatea’s air “Heart, the seat of soft delight” where the grace of her singing expressed both Galatea’s sorrow and continued love of the deceased Acis.</image:caption>
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      <image:title>HOME - A Return to Donna Anna</image:title>
      <image:caption>Meghan Lindsay sang Donna Anna in 2011 and does so again...the passage of time has only increased the breadth and especially the power of her soprano. These qualities only make Lindsay’s portrayal of Anna has become stronger and turns her many arias of mourning into expressions of the only unfeigned emotions in the entire opera.</image:caption>
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      <image:title>HOME - Toronto Star Reviews Don Giovanni</image:title>
      <image:caption>The three sopranos — Meghan Lindsay as Donna Anna, Carla Huhtanen as Donna Elvira and Mireille Asselin as Zerlina — equal the best Mozart interpreters anywhere in the world.</image:caption>
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      <image:title>HOME - A Fierce Minerva</image:title>
      <image:caption>Meghan Lindsay’s bright metallic soprano is fierce power personified in the role of Minerva</image:caption>
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      <image:title>HOME - Actéon and Pygmalion a Triumph in Toronto</image:title>
      <image:caption>The acting (Lindsay) brings to the statue’s coming to life is beyond what one often encounters in the best productions of Shakespeare’s The Winter’s Tale where the statue of Hermione also comes to life.</image:caption>
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      <image:title>HOME - Charmantes Miniatures Françaises</image:title>
      <image:caption>Meghan Lindsay apporte beaucoup de noblesse à la courte intervention d’Aréthuze (Ah qu’on évite de langueurs).</image:caption>
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      <image:title>HOME - Bachtrack on Ulysses</image:title>
      <image:caption>Meghan Lindsey was an impressive presence as Minerva. Somehow, however much in the background, she caught the eye whenever she was on stage and sang with considerable authority when required.</image:caption>
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      <image:title>HOME - Ulysses is Moving and Memorable</image:title>
      <image:caption>Meghan Lindsay played the large role of the goddess Minerva to great effect.</image:caption>
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      <image:title>HOME - Sussès à Versailles</image:title>
      <image:caption>Meghan Lindsay est une Nérine à la prononciation parfaite et à la voix chantante et aérienne- Olyrix</image:caption>
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      <image:title>HOME - Opera News Reviews Dido</image:title>
      <image:caption>Soprano Meghan Lindsay provided elegantly phrased support as Dido’s sister Belinda</image:caption>
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      <image:title>HOME - Ulysses is Theatrical Fireworks</image:title>
      <image:caption>As Minerva, soprano Meghan Lindsay gifts The Return of Ulysses with some of its most resounding moments of declamation, her pale, spectral presence chillingly haunting; her voice, a divine luminescent force.</image:caption>
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      <image:title>HOME - Actéon and Pygmalion in Versailles</image:title>
      <image:caption>Meghan Lindsay impressed as Aréthuze in Actéon and Galatée in Pigmalion…She was a perfect Galatée, embodying the dream of the newborn, innocent – yet sexy – woman, created by the artist to suit his desires.</image:caption>
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      <image:title>HOME - A Success with Giunia</image:title>
      <image:caption>Meghan Lindsay, in the role of Giunia, the tragic heroine, demonstrated herself to be a consummate performer in the role. She injected a dark, somber quality to her voice that I have not heard from her before.</image:caption>
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      <image:title>HOME - Dido is Remarkable</image:title>
      <image:caption>Soprano Meghan Lindsay is Belinda, sister to Dido, confidante and critic. Vocally silvery and gleaming, the gifted early opera specialist lights up this shimmering Dido and Aeneas, her character a key player in building and rebuilding musical momentum scene after scene. Forever in command, Lindsay clearly glories in her role.</image:caption>
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      <image:title>HOME - Musical Toronto says Alcina is a Hit</image:title>
      <image:caption>Lindsay’s Alcina commanded great feminine power over her island dominion. This was until hubris touched her, and the once conceited ego panics at the thought of her purview crumbling around her.</image:caption>
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      <image:title>HOME - Schmopera Reviews Alcina</image:title>
      <image:caption>Alcina is her role through and through. The comfort in her middle range coupled with crystal-clear diction added an incredible depth of colour when she went into the top end of her vocal line. Her aria at the top of Act II was breathtaking.</image:caption>
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      <image:title>HOME - Globe and Mail: A Production in Perfect Balance</image:title>
      <image:caption>Meghan Lindsay was powerful and effective as Giunia, the object of both Silla’s lust and Cecilio’s love.</image:caption>
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      <image:title>HOME - A Dazzling Revival of a Mozart Rarity</image:title>
      <image:caption>As Giunia, Meghan Lindsay also shines with greater vocal strength and control than ever before and dazzles with her coloratura passages.</image:caption>
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      <image:title>HOME - Schmopera Reviews Dido</image:title>
      <image:caption>As Belinda, Dido's faithful handmaiden, soprano Meghan Lindsay brings her characteristic twinkly voice to the spritely melisma Purcell set out of her. She was so appealing in this role. There was a youthful vitality in her demeanour and voice that made Belinda one of the most lovable characters on the stage.</image:caption>
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      <image:title>HOME - Lucio Silla Sets a New Standard for Excellence</image:title>
      <image:caption>Appearing as Giunia, soprano Meghan Lindsay voices a strong, resolute heroine depicted in vivid primary colours. Gifted with numerous arias, her clear, translucent top speaks of unbending purity and goodness.</image:caption>
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      <image:title>HOME - Alcina is a Realization of Sublime Beauty</image:title>
      <image:caption>Soprano Meghan Lindsay's portrayal of the title role had the richness needed to elevate the figure of 'Alcina' to the status given to the most tragic characters in the operatic repertoire.</image:caption>
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      <image:title>HOME - Toronto Star Profiles Ottawa Singers</image:title>
      <image:caption>In Opera Atelier’s Alcina, Meghan Lindsay plays a “man-eater,” Wallis Giunta plays a woman disguised as a man and Mireille Asselin plays a fairy who falls in love with him/her. It’s a good thing the three women are such good friends.</image:caption>
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      <image:title>HOME - Mooney on Theatre Reviews Alcina</image:title>
      <image:caption>Ms. Lindsay managed to inject enough bite into her timbre and enough menace to her demeanor that she was convincing in the role of the evil sorcerer.</image:caption>
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      <image:title>HOME - Opera Going Toronto Loves Alcina</image:title>
      <image:caption>In Alcina’s title role, soprano Meghan Lindsay summons a sorceress of enormous complexity. Graced with a bright, limpid instrument, luscious timbre and superb technique, Lindsay reaches deep into her character to craft a performance bursting with paradox.</image:caption>
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      <image:title>HOME - Opera Atelier Triumphs with Alcina</image:title>
      <image:caption>The cast was made up of OA veterans – all so vocally talented that it’s hard to know where to begin singing their praises. With the strong, edgy performance of soprano Meghan Lindsay as the sorceress Alcina?</image:caption>
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      <image:title>HOME - Meghan in NOW Magazine’s Top Ten Artists to Watch</image:title>
      <image:caption>With her ravishing voice and dramatic skills, the soprano will win over her audience both male and female.</image:caption>
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      <image:title>HOME - A Standout Star at Glimmerglass</image:title>
      <image:caption>Next to Dye, Canadian soprano Meghan Lindsay is the production's standout singer in the dual role of Sidonie and the Water Nymph. Athough minor characters in this opera, Lindsay's roles delighted the crowd with her sweet and sinuously expressive vocal delivery, made all the more meaningful through the enhanced movement of her hands — which generally resembled those of a ballerina. The fact that she is a Glimmerglass Young Artists speaks volumes about the depth of this program.</image:caption>
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      <image:title>HOME - Arts and Culture Texas Reviews Ars Lyrica</image:title>
      <image:caption>The bulk of the concert was devoted to two secular wedding cantatas by J.S. Bach, which were given scintillating readings by soprano Meghan Lindsay</image:caption>
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      <image:title>HOME - Barcza Blog Interviews Meghan</image:title>
      <image:caption>Leslie Barcza profiles Meghan with 10 Questions about her life, singing, and roles with Opera Atelier</image:caption>
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      <image:title>HOME - Don Giovanni Delights</image:title>
      <image:caption>Meghan Lindsay’s Donna Anna also impressed me enormously, offering a stunningly attractive stage presence married to the kind of crisp, clear sound that gives the role its true place in the score.</image:caption>
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      <image:title>HOME - The Houston Critic on Ars Lyrica</image:title>
      <image:caption>Soprano Meghan is a survivor, and completed two entire Bach cantatas in one program, which included nine arias, nine recitatives and one gavotte. I got tired just counting! Amazing stamina while performing dramatically or with lilting tones.</image:caption>
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